Limmud Modiin 2012 Kicks Off by Tackling Current Israeli Social Controversy
In a situation that could dangerously become a social rebellion, Limmud Modi’in, coordinated by Melitz with support from the Jewish Community Foundation of Los Angeles, launched its 2012 program by bringing together individuals from a wide range of the Jewish spectrum to discuss tough issues together and hear one another out. Through learning texts and quoting the Mishna and John Lennon, a group of people who care enough to not only voice their opinions but also listen to others, heard various representatives of each side express their views. Rachel Azarya, a member of the Jerusalem Municipal Council known for voicing opinions against the exclusion of women seemed upset by the latest turmoil in Israeli society but said she was pleased that the term “exclusion of women” has finally found its place in common conversation, and not only in university gender studies courses. Esther Salmon, an ultra orthodox social activist, remarked that when you attack a group, they will react in defense. “In the past, the ultra orthodox lived in a closed society, but in recent years we’ve seen great development in the form of attending academic institutions, going out to work in the general society and serving in the army,” said Salmon. “Attacking us now can set us back fifty years.” Ma’ayan Cohen, an ultra orthodox member of the Beit Shemesh Women’s Council, added that the latest events brought out the extreme radicals from each side. In her words, “The fools on either side got the courage to speak up.” Levana Shiffman, a member of the Modi’in-Maccabim-Reut municipality, could not hide her dismay at what she called “the radicalization of the righteous. “When a religious group decides that you need kosher for Passover toilet paper, you can’t let that extremism enter the public space.” The only male participant of the panel of five, MK Uri Orbach, retorted “You speak of the public space as if it were exclusively secular, or exclusively yours – but public means everyone. On one hand we have religious newspapers that do not portray any pictures of women – whether three years old or eighty. On the other hand, general media portrays women scantily dressed in various advertisements and on television shows.” The evening, gracefully led by Gadi Levi, concluded with questions and remarks from the enthused audience. Peri Sinclair, a senior educator at Melitz, summed up the evening while looking toward the Limmud Modi’in events to follow. “Limmud offers a platform for discussion that does not exist elsewhere, and we managed to gather this evening an audience that otherwise would not have come together under the same roof. If this is just a taste, I can’t wait to see the turnout and success of Limmud Modi’in 3, which is scheduled to take place on May 17th and 18th 2012.” The Spirit of Limmud Comes to ModiinJune 18, 2010 by eJP by Michal Bergman
Limmud Modiin is now behind us. After preparations, deliberations, ups and downs, we are “after.” Only the feeling of euphoria, the feeling of the joy of learning, the joy of people and the joy of community – these feelings are still with us, as well as our hope that they won’t fade away too quickly. So what happened? People came to learn and teach. Many volunteers, under the orchestration of the one and only Peri, together took care of the program, the site, the food, welcoming participants, registration, and every last detail. They responded to events and developments as if thus had ever been. In general, the Limmudnikim of Modi’in were divided into three groups: veteran Limmudnikim who came because of their experience with and love of the good old Diaspora Limmud; those who came under the most Israeli procedure of all – friend brings friend (or neighbour, or mother, or girlfriend); and there were even those who came because they heard, because they read, because they love to learn, because they love to study Judaism, because they love… We started the event with some trepidation – we did not know how many people would come, and feared that the bewildered presenters would find themselves in front of empty seats. But slowly, slowly, people began to arrive, and with them crept a sense of relief: “Look – it’s actually happening!” The band “Triple A” singing in the reception area, the rooms filling up, and people sitting down for sessions – men and women, young and old, Jews of all types and all streams, of varied beliefs and non-beliefs, with their head-coverings both visible and invisible – the men and women of Modi’in, lovers of Limmud. During breaks between sessions, people stood in the corridors – each with program booklet in hand, sipping coffee, nibbling cake, and chatting with old and new friends – trying to make the most classic Limmud decision of all: which session shall we go to next, and which will we have to miss out on? And here, between sessions, hovered the spirit of Limmud over Modi’in – with its informal atmosphere, with smiles on faces, with acquaintances both new and renewed, and with a special sense of belonging, as participants not only chose to come and learn, but had to keep on actively choosing which session to go to. So in the various different sessions there were discussions about the loves, disputes, and marriages of the Tannaim and the Amoraim; or about the feminist fragmentation of religious Zionism and its implications for Jewish life in Israel and abroad. There were those who learned to say the Sh’ma in sign language, and those who met various Jews on the silver screen – from Shylock to contemporary religious Jews, from an American Jew by choice to Jews eating Jewish food in the movies… they were all there. Korach and public criticism in a session for adults, next to Rav Kook and a friendly dragon in a show for kids. God in Israeli art, next to the delegitimization campaign against the State of Israel. A feminist-Jewish children’s book, next to the IDF rescue operation in Haiti. Music was played in various sessions – from the band “Kolot,” to the songs of Ariel Horowitz; and the next day, the “Psalms of the Perplexed” of Kobi Oz and his late grandfather, the paytan: “eilu v’eilu” indeed. Life and creativity, love and longing, song and poetry, laughter and pain – presenters and their teaching, learners and their choices, all contributing to Limmud. Adults learned. Children created works of Jewish art. Families sang. Towards the end, musicians played Shabbat melodies and a group of people sang songs of Israel and songs of prayer, and the Shabbat spirit descended upon the children playing, the adults singing, and the babies in the arms of their parents. In his show, Kobi Oz sang his song Prayer of the Secular:
At Limmud Modi’in it didn’t rain – actually, a desert heat covered the city. Nevertheless, by the end of the event we could all join in with Kobi’s truly Jewish prayer, and add, with joy: Amen and amen. That’s what happened in Modi’in. Long may it continue. Michal Bergman was a volunteer at Limmud Modi’in. Limmud Modi’in is supported by Melitz. |









